copyrightMadha Movie Review In 3Movierulz
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Release Date: March 13, 2020
3movierulz.in Rating: 3/5
Cast: Trishna Mukherjee, Rahul
Directed by: Srividya Basava
Producers: Indira Basava
Music: Naresh Kumaran
Cinematographer: Abhiraj Nair
Editor: Ranjith Touchriver
Rahul and Trishna Mukherjee as the heroines of Srividya Darshanam. The film, which won 26 international film festival awards, was released today. Let's go back to the review of the film and the extent to which it admired Audience!
The story:
Nisha (Trishna Mukherjee) has a lot of humidity .. Drugs or wine have no effect on her. Nisha is an orphan .. She is doing a job and leads a happy life. However, Arjun (Rahul) enters her life to cheat. Nisha falls in love and mentally wakes her up and creates Nisha in front of everyone. After some dramatic developments, Nisha falls into the hands of a medical mafia. She's experimenting with drugs. A man named Ravi Verma does all this. What is his relationship to Nisha? Who is the original Arjun? Why did he target Nishane? Is he good now? Is it bad? Did Nisha finally get out of that medical mafia? Or? And how did you catch Ravi Verma, who runs that medical mafia? If you want to see such things on the silver screen.
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Plus Points:
The main character in the film is Nisha, the character of the character, as well as the rest of the characters associated with the character .. The taluk point of view of the characters .. The suspense scenes and twists and emotions in the second half are particularly appealing to the film. Trisna Mukherjee, who plays the heroine in the film, is down to her role… impressed with her acting. Her performance in scenes where the hero believes that the heroine has mental problems as well as the gestures she uttered during her drug trial.
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Srividya tried to make the film interesting at the heroine's point of view in New Angle. Bringing such a suspense thriller concept to the new cast… molding it on screen is not a word. But Srividya has a good directorial performance. The film was made to look different from regular films. This movie concept is connected to every girl who feels lonely. Rahul is also a hero. The rest of the cast also performed well in their respective roles.
Minus Points:
Some scenes in the first half are fused as well as the screenplay in full suspense pointoff view without elevating the main con ఫ ict. When the hero character is finally revealed The fact that they have nowhere to go over his characterization are weaknesses to the film.
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However, when Srividya Basava's performance became interested in cinema ... as well as the concept, flashback scenes and climax scenes she wrote, the story is very different. In addition, the first part is boring in some places as the plot is meaningless.
Technical Section:
When it comes to the technical department .. Director Srividya Basava Shot Making and Her Vision is very good. In terms of the quality of the film, one must certainly appreciate her talent. Despite the budget constraints, her film was visually appealing. Cameraman Abhiraj Nair Camera performance is excellent in some key scenes. His camera eye was a big plus for the film. The music provided by the music director Naresh Kumaran is not good. But it would have been nice if the background music had been focused on the movie Overall along with Sean Mood. Editor Ranjith Touchriver is also special. He edited the film with a smooth cut between Flashback to Live. Production values of the producer of the film have reduced the level of the film .. Nowhere does it feel. Srividya made the film so well
Verdict:
Coming as a suspense thriller with varied content, the film is a main theme and some thrilling elements, as well as some key scenes in the second half. However, some scenes in the first half are boring and the lack of commercial elements are a draw bag for the film. But, Srividya's direction and the cinciar attempt she made are very impressive. All in all, this movie is great for audiences who want to innovate. As mentioned earlier, however, the extent to which the film mimics the audience of the regular set of regular films that are only for commercial films.g